書目識別號
565766
書目型態
西文機讀編目格式-圖書(USMARC Bibliographic Format-Book)
書目參考 URL
http://autorpa.tcu.edu.tw/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137320117
欄號/指標/分欄資料
035 $aocn881518379 003 OCoLC 005 20140910115828.0 006 m o d 007 cr cnu---unuuu 020 $a1137320117 (electronic bk.) 020 $a9781137320117 (electronic bk.) 035 $a(OCoLC)881518379 037 $a661625$bPalgrave Macmillan$nhttp://www.palgraveconnect.com 040 $aUKPGM$beng$erda$epn$cUKPGM$dOCLCO$dOCLCF 049 $aTEFA 050 4$aPN1661 08204$a808.2$223 24500$aEditing, performance, texts :$bnew practices in Medieval and early modern English drama /$cedited by Jacqueline Jenkins and Julie Sanders. 264 1$a[Basingstoke] :$bPalgrave Macmillan,$c2014. 300 $a1 online resource. 336 $atext$btxt$2rdacontent 337 $acomputer$bc$2rdamedia 338 $aonline resource$bcr$2rdacarrier 5050 $aIntroduction: 'New Practices', Jacqueline Jenkins and Julie Sanders -- PART I: ENABLING MANUSCRIPTS TO SPEAK-- 1. What the "Beauchamp Pageant" Says About Medieval Plays, Claire Sponsler -- 2. Reading Images, Drawing Texts: The Illustrated "Abbey of the Holy Ghost" in British Library MS Stowe 39', Boyda Johnstone -- 3. The Towneley Manuscript and Performance: Tudor Recycling?, Murray McGillivray -- 4. Performing the Percy Folio, Andrew Taylor -- PART II: PERFORMANCE TRACES IN THE ARCHIVE-- 5. London Commercial Theatre 1500-1576, Mary Erler -- 6. The Revision of Manuscript Drama, James Purkis -- 7. Playing Ghismonda for 'fooles' and 'noble friends': Revising for Performance Between "Glausamond" and "Ghismonda", Kirsten Inglis -- 8. Cressida's Letter: Readings and Performances in the Shakespearean Archive, J. Gavin Paul-- PART III: EDITING THROUGH PERFORMANCE-- 9. (Un)editing with (Non)fictional Bodies: Pope's Daggers, Lynette Hunter and Peter Lichtenfels-- 10. Influencing Editors, Influencing Performers: The Page to Stage Relationship, Christie Carson-- 11. Actors and Editors: A Feature of the Edition "Richard Brome Online", Richard Cave, Eleanor Lowe and Brian Woolland. 520 $aThe critical work of editing performance texts poses particular challenges for historians and scholars of the early periods of English literature, not least of which is the ephemerality of performance and the fragility of the archival evidence. The contributors to this volume engage with this challenge, asking how might editors of early period drama and performance literature account for the performance histories implied in the extant documents. The resulting chapters work in dialogue with each other to challenge many current givens in medieval and early modern drama research, especially around periodization and editorial practice, and around what constitutes the archive. Divided into three key parts headed 'Enabling Manuscripts to Speak', 'Performance Traces in the Archive' and 'Editing Through Performance', the chapters collected here showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars alike. 588 $aDescription based on publisher supplied information; title not viewed. 648 7$a1500 - 1600$2fast 650 0$aDrama$xEditing. 650 0$aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism. 650 7$aDrama$xEditing.$2fast$0(OCoLC)fst00897482 650 7$aEnglish drama$xEarly modern and Elizabethan.$2fast$0(OCoLC)fst01710950 655 7$aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635 655 7$aElectronic books.$2local 7001 $aJenkins, Jacqueline,$eeditor. 7001 $aSanders, Julie,$d1968-$eeditor. 7102 $aPalgrave Connect (Online service) 85640$3Palgrave Connect$uhttp://autorpa.tcu.edu.tw/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137320117$z慈大電子書(TCU e-book) 095 $pES$dPN1661
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